Chapbooks & Catalogues
Daisy Quezada Ureña con/with Susana Landeros Moreno, Jonathan Loretto, Marian Naranjo, Oralia Prieto Gomez, Profesor Manuel Robles Flores, Roxanne Swentzell, Beata Tosie-Pena, bosque brotante (2020), Lois Klassen, la editora/editor, Artist book,
Light Factory Publications, Present Cartographers Series.
Sylvia Arthur, Lois Klassen, Daisy Quezada, Terreno: Borderlands Linguistics (2017), Chapbook, Light Factory Publications, Present Cartographers Series.
Various contributors, Reading the Migration Library (2015, on-going).
Lois Klassen, Books on Fire: Documentation of the Renegade Library, exhibition catalogue (1998). Art Gallery of Southwestern Manitoba, Brandon, MB. http://e-artexte.ca/13333/
Light Factory Publications is an artist book and chapbook publishing service which Klassen has operated on an itinerant basis since the last millennium, when she was an active participant in mail art networks and small press culture.
Book Chapters
“Home Economicus,” long-form poetry, book chapter in Kathy Mantas and Lorinda Petersen, eds. Middle Grounds: Essays on Midlife Mothering (2018), Demeter Press.
“Research by Artists: Critically Integrating Ethical Frameworks,” book chapter in Marilys Guillemin, Deborah Warr, Susan Cox, and Sarah Drew, eds. Ethics and Visual Methods: Theory, Methodology and Practice (2016) Palgrave. http://www.palgrave.com/us/book/9781137548542
“Time Shifting, Lori Weidenhammer in Performance,” book chapter in Johanna Householder, Tanya Mars, eds. More Caught in the Act: An Anthology of Women Performance Artists (2016), Volume 2, YYZ Books. http://www.yyzbooks.com/sample-product/book-launch-more-caught-in-the-act-an-anthology-of-performance-art-by-canadian-women/
Articles, etc.
"Figurations following the Ethical Turn," Parse Journal - Migration, Issue 10, 2019, https://parsejournal.com/article/figurations-following-the-ethical-turn/
Ethics and Participation in Art: Reading the Migration Library and other methods, dissertation portfolio, 2019, Queen's University, Canada.
"Arriving at Nowhere – Chris Kraus and Radical Localism,” Fillip, Issue 20, 2015, http://fillip.ca/content/arriving-at-nowhere-reflecting-on-chris-krauss-radical-localism
“We Spoke Again: Dialogue in display,” Word Hoard Issue IV, 2015, http://ir.lib.uwo.ca/wordhoard/vol1/iss4/
“Who Counts?,” review, Border Crossings, Issue133, Vol. 34, No. 1, 2015, http://bordercrossingsmag.com/magazine/issue/issue-133
"Participatory Art at the Vancouver 2010 Cultural Olympiad," Public Journal, 45: Civic Spectacle, 2012, http://www.publicjournal.ca/45-civic-spectacle/